Flint is a place that no longer needs an introduction after this past year and it probably hasn’t needed one for the past 30 years. The city has long been the poster child for the American dream gone wrong. In a perfect world, this project would be conveying some other reality. But these ideas about Flint are accurate. Flint is a place of struggle. It’s true and everybody knows it. But that’s not all it is…

Flint is a place is a cross platform episodic documentary series about Flint, Michigan. The project seeks to document a specific moment within this American city both as it’s perceived and experienced. The idea is not to show people some place that they don’t know. The idea is to put them in a place that they think they do know.

This project actually started with another project. T-Rex is a feature documentary about a teenage girl from Flint co-directed by myself and Drea Cooper. Claressa is her birth name and she’s a boxer. In fact she might be the best female boxer in the world.

Sports was Claressa’s ticket out of Flint. Not so much for her younger sister Briana. Briana represents everyone who has been stuck in Flint. Tough. Charismatic. Resilient. Funny. Heroic, in a sense. Fighting everyday. But stuck stuck stuck.

While the film is about Claressa and her resilience and grit, the web series looks deeper into Flint, with themes about community, kinship and poverty. Flint is a place gives viewers an even deeper dive into the systems and people within Flint, a place with a strong identity and deep scars.

What happens in Flint happens in many other urban American cities. But in Flint, it happens all at once. It’s what makes Flint so important in the national conversation. It’s been like a testing zone for American mismanagement. Eventually, something will have to change. Flint can’t go on like this. Better seems really far-fetched. Worse seems almost unimaginable. Crazy as it seems people will be there no matter what. Cause they’re proud. Or cause they’re stuck. Somewhere between those two facts is the reality.

Over the next few months, there will be more episodes. Virtual reality. Interactive. Archival. Animation. There is a book and a newspaper and some other stuff too. Follow along to see where it goes. Enter your email below to subscribe to our newsletter.

Credits

Flint is a place

01.Briana

This whole Flint project started with Briana. Briana is the sister of Olympic gold medal boxer Claressa “T-Rex” Shields and often that’s how she’s defined. Briana always says that Claressa is her better half, which would make her the worse half, or at very least the other half. Briana is cut from the same cloth as Claressa - she’s tough, charismatic, resilient. Briana is Claressa without the boxing. But in a town like Flint, Michigan, you need something to get you out. And Briana doesn’t have that. So she’s stuck in Flint. She’s a teenage mom, she didn’t graduate high school, the father of her son is in prison. In another town, all of her strengths might help her rise and get ahead. But she’s not in another town.

  • Directed by Zackary Canepari
  • Produced by Drea Cooper and Sue Jaye Johnson
  • Cinematography by Sophia Rose, Mo Scarpelli, Vanessa Carr, Jessica Dimmock, Drea Cooper and Joe Rivera
  • Edited by Lindsey Phillips
  • Original music by Matthew Joynt and Nathan Sandberg
  • Sound mix by Bryan Scary
  • Coloring by Micheal Hernandez, Final Frame
  • Additional material courtesy of the feature documentary “T-Rex” directed by Zackary Canepari and Drea Cooper and produced by Sue Jaye Johnson
  • Additional interviews by Sue Jaye Johnson
  • Additional production support by Joe Rivera and Jessica Dimmock

Special thanks to the Economic Hardship Reporting Project for their support.

See the full film here.

02.Water

“Everything Water Touches” is an interactive film directed by Zackary Canepari and Jessica Dimmock. Jessica and I have been working in Flint for a long time now. And living here isn’t like reading about it. Everything water touches is poison. The coffee in our hotel. The sheets on our beds. The ice in our drinks. The showers and the sinks and the soup and the clean clothes. It’s unavoidable. And it’s truly an uncomfortable feeling. Not knowing. 100,000 people in Flint are going through that experience everyday. And instead of fixing it, we’re all just getting used to living like this.

The interactive version of this episode was commissioned by Verse and published on The New Yorker. The text was commissioned by Mother Jones.

  • Directed by Zackary Canepari and Jessica Dimmock
  • Edited by Joshua Banville
  • Text by Charlie LeDuff
  • Original music by Matthew Joynt and Nathan Sandberg
  • Sound mix by Bryan Scary
  • Additional interviews by Drea Cooper and Joe Rivera
  • Additional editing by Justin Mulroy

Special thanks to the folks at Verse and The New Yorker for the support. And to Charlie for the words.